Since moving to Moree, I’ve turned my drives along the Newell, Kamilaroi, and New England Highways into delightful treasure hunts spotting all the beauties throughout the landscape. "Last Man Standing" is my cheerful tribute to the captivating landscapes I encounter, featuring a cloudy sunset spread across a wheat field and an abandoned chimney standing proudly in the middle.
These chimneys, often peeking out from behind wild grasses, always catch my eye. It’s like playing a game. I can’t help but wonder about the stories they hold—who lived there? Luckily, local museums have plenty of fascinating tales to share about this region’s history, keeping my curiosity happily fed.
With these digital paintings, I hope to spread a little joy and invite you to share in the wonder of these forgotten structures. "Last Man Standing" isn’t just about nostalgia; it’s a celebration of the quirks and charm of rural life, reminding us all to appreciate the beauty around us—chimneys and all!
In my exploration of personal artistic practice, I embark on a journey that marries discipline with freedom: creating a watercolour painting each day. This daily exercise is not just a means of production; it is a pathway to discovering and refining my unique style. Through the interplay of colour, movement, and linework, I seek to capture the essence of my surroundings while allowing my imagination to infuse each piece with new life.
Each painting is an invitation to engage with the beauty that permeates my environment—be it the landscapes that inspire me or the inanimate objects that tell their own stories. The act of painting daily liberates me from the pressure of perfection, reminding me that each work is merely a stepping stone in my artistic evolution. If a piece resonates with me, that’s a delightful bonus, but the true value lies in the exploration itself.
I welcome you to join me on this journey of discovery, as I navigate the fluidity of watercolour and the depths of my creativity. Together, let us find joy in the process and celebrate the art of experimentation.
As part of the Roaming Mural Project with Arts North West, I created the work titled "Highway to Nowhere." This piece reflects my personal journey along the Newell Highway, where vibrant sunflowers bloom alongside the road, creating a stunning interplay between earth and sky.
Having recently moved to Moree, I was welcomed into what locals affectionately call "big sky country." The expansive horizons and the way the road seemingly merges with the sky have profoundly inspired me. In "Highway to Nowhere," I sought to capture that sense of boundless freedom and connection to nature that I experience during my drives.
The sunflowers symbolize hope and resilience, standing tall against the backdrop of vastness. They remind us that even in the most desolate landscapes, beauty and life can flourish. This mural is not just a depiction of the highway; it is an invitation to reflect on the journey we all take and the landscapes that shape our experiences.
Through this work, I aim to celebrate the unique beauty of our surroundings and inspire viewers to appreciate the journey—both literal and metaphorical—that lies ahead.
Donated to the Moree Gift Barrell display window.
The Flood Waters Pidgeon Hole was made as a part of the Letter To My Returning exhibition as interactive element. Throughout the exhibition indiviuals wrote and read powerful letters written to the flood waters.
We will never truly know what was left unread and what was lost in the flood waters. Lets hope our birth certificates, marriage certificates, passports and family photos have not fallen victim to the flood waters. Sadly we can not recover what was lost but what we can do is start rebuilding.